Tolcser, Sarah. Song of the Current. New York: Bloomsbury, 2017. Print.
Sometimes, being wrong is a good thing.
I’ve never been a big fan of pirate stories. The Pirates of the Caribbean movies admittedly lull me to sleep. Novels set at sea or within a boat have never been my first choice of reading material. So, when I saw a copy of Sarah Tolcser’s Song of the Current in my June Uppercase Box, I steeled myself for disappointment.
And I’m happy to report I was wrong. Very wrong. Tolcser’s novel is quite possibly the best book I’ve received from Uppercase and one of my favorite reads of 2017 (so far).
Caroline “Caro” Oresteia has spent her life on the river aboard her father’s wherry, Cormorant. She assists her father in delivering cargo and the occasional shipment of smuggled weapons. Caro’s father converses heavily with the god of the river, and Caro hopes that someday she too might have an experience with the divine. In the meantime, Caro’s focus is singular: she wants to take the reins of Cormorant upon her father’s retirement.
Caro’s life changes when she and her father sail into the town of Hespera’s Watch. There, the duo learns that a group of outlaws known as the Black Dogs have destroyed wherries in pursuit of an important piece of cargo. When officials in Hespera’s Watch cannot convince Caro’s father to carry this cargo to the intended recipient, he is jailed. Caro, in exchange for her father’s freedom, decides to sail Cormorant on her own and make the delivery. Caro is given a letter of marque and strict instructions not to open the box she is transporting. But, after a close scuffle with the Black Dogs, Caro can no longer resist—she has to open the box. What is inside? Why are the Black Dogs determined to confiscate it? Will Caro free her father?
Song of the Current’s strengths lie in its pacing and characterization. Whereas most novels that take place at sea tend to feel slow, the urgency behind Caro’s mission keeps the action moving. And Caro Oresteia is an intriguing, multi-faceted protagonist. Her love of the water, fierce loyalty to her family, and desire to converse with the gods will have the reader rooting for her from the book’s very beginning.
There is little to dislike in Tolcser’s tale. Those unfamiliar with sailing (like me!) might struggle with the nautical terminology, though Tolcser’s website contains a glossary. There is also an undefined though clearly burgeoning romantic relationship at the book’s end, and I wanted a bit more clarity. There is a sequel slated for next summer, though, so I’m hoping to receive answers then.
I am excited to recommend this book to my students, particularly those who enjoy novels with lots of action and suspense. Song of the Current makes some great social commentary as well—there are themes of political coercion, class warfare, and revolution. I can only hope that discussing Tolcser’s novel with my students will hold me over until the release of the sequel.