Chopchinski, Zachary, Cathi Desurne, Lindsey S. Frantz, Nealy Gihan, C.D. Scott, Lichelle Slater, Christina Walker, Katy Walker, and KT Webb. From Now On: The Last Words Anthology. N.p.: n.p., 2017. Print.
I noticed an interesting trend during last year’s presidential election—no matter their political leanings, my students became acutely aware of their government, its flaws and positive attributes alike. This awareness made it a particularly interesting time to teach dystopian literature. Though we delved into a few short stories by authors like Kurt Vonnegut and Stephen Vincent Benet, students spent the bulk of their time reading novels. I assumed that this was typical in the dystopian realm—the amount of world building required by the genre just couldn’t be contained within the boundaries of a short story.
This is why I was particularly excited to read From Now On: The Last Words Anthology. It was described as a collection of dystopian short stories, many with young adult protagonists. Each story closed with the same line: “From now on, I’ll save myself.” Below is a synopsis of each piece in the collection.
When the Body Parts Hit the Fan by Zachary Chopchinski: A wise-cracking protagonist named Guy tries to maneuver through Maine post-apocalypse; however, his progress is impeded by murderous shadow creatures who tear passerby limb from limb. Guy knows there is only one way to receive salvation—he must stay in the light.
The Pack by Cathi Desurne: At only seventeen, Grace is a feared and respected member of The Pack, a group of revolutionaries who adhere to a wolf hierarchy. However, Grace has suspicions that the group is being followed and watched. This feeling of uneasiness is coupled with confusion when Grace begins to have romantic feelings for a fellow member of The Pack, Ryder.
Erilyn’s Awakening by Lindsey S. Frantz: Erilyn is not like her peers—she has darker hair, eyes, and supernatural abilities that appear in times of duress. An orphan who lives below ground, Erilyn has no true friends or companions other than a solitary jar of glow worms. While gathering food and plants, Erilyn is tormented by the other children in her party and makes the decision to travel “upworld”.
Something Old by Nealy Gihan: Hope lives in a world ruled by gemstones—those who have all gemstones in their genetic makeup are deemed most desirable. Hope has only two, but a proposal from a wealthy member of the reigning race gives Hope the opportunity to move above her station. Slowly, Hope learns that life among the elite is not as she dreamed it would be.
The Wall by C.D. Scott: Treece attempts to flee her negligent father on the morning of her sister’s wedding. Unbeknownst to her father or sister, Treece is in love with a man “beyond the wall”. She dreams of traveling to his homeland and starting a new life, but will it be possible?
Shadow of Heritage by Lichelle Slater: After the release of an environment-altering bomb, all citizens of the United States have some degree of supernatural ability. While Corvits’ father is a supervillain, he has the rather tame power of bringing artwork to life. When he is given additional information about his mother’s murder, however, he realizes that he might have a dark side after all.
The Weeding by Christina Walker: Nina believes she lives in the perfect society with true equality among citizens. However, when the leaders of the government announce plans for a “weeding”, Nina feels uneasy. Her worst fears are realized when the elderly and disabled are forcibly removed from their homes. Can she reach her arthritic friend Scott before it’s too late?
Mirrors by Katy Walker: Allan has a miserable life. Divorced and unemployed, he spends most of his time playing video games until a weird moment with his bathroom mirror changes his life forever.
Side Effects of Progress by KT Webb: Nick is a hardworking scientist who dreams of creating the perfect vaccine to guard against illness. Unfortunately, his manipulative boss has other plans, and Nick must work around-the-clock to save his co-workers and possibly humanity itself.
Each piece in this anthology has a different narrative voice and unveils a crumbling society in a unique way. As with most short story collections, some pieces are stronger than others: Frantz’s Erilyn’s Awakening, for example, has vivid imagery and great moments of suspense—I felt my heart rate increase as Erilyn navigated her way through an underground cavern while being pursued by other children. Scott’s The Wall had a nice plot twist that made me crave an entire novel of Treece’s adventures. Gihan’s Something Old contained both a unique premise and a theme of female suppression reminiscent of The Handmaid’s Tale.
I did find a few grammatical errors during my read and, as I downloaded the anthology as an e-book, there were some noticeable formatting issues while reading on both my tablet and phone.
Overall, teachers who are focusing on dystopian literature would be wise to purchase and download From Now On: The Last Words Anthology. There are stories that pair well with many of the main dystopian characteristics: figurehead worship (Walker’s The Weeding), fear of the outside world (Frantz’s Erilyn’s Awakening), restriction of freedom (Webb’s Side Effects of Progress) just to name a few. In a market saturated with dystopian novels and movies, these are fresh, inventive short stories that will hold your students’ interest and challenge their imagination.