Alexander, Kwame and Mary R Hess. Solo. Nashville, TN. Blink. 2017.
Note: This is a review of an advanced, uncorrected proof.
I have a confession to make, one that might be a bit shocking to my fellow English majors: I’m not a poetry person. I have the deepest admiration for poets, and have read some pieces from Sylvia Plath and Percy Blythe Shelley that have touched me tremendously. While poems can certainly paint a pretty picture, I am drawn instead to the characterization and plot found in short stories and novels.
So, when teaching poetry to reluctant readers, I once found myself at a loss.
Thankfully, that changed when I heard about Kwame Alexander’s book The Crossover, the winner of a Newbery Medal. Written entirely in narrative verse, The Crossover allowed me to teach poetic elements while also providing a timely story that kept my students engaged. I was excited to meet Kwame Alexander at BookCon so that he could sign my copy of The Crossover, and I was even more excited to receive an advanced reader’s copy of Solo, Alexander’s latest novel-in-verse.
Solo follows Blade Morrison, the son of world-famous musician Rutherford Morrison. Rutherford, an addict, is both erratic and neglectful, while Blade’s sister Storm is self-absorbed and shallow. As his mother died unexpectedly during his childhood, Blade’s only moments of happiness come from playing guitar, writing songs, and spending time with Chapel, his girlfriend. Blade is in love with Chapel, even though they must sneak around to see one another. Chapel’s father does not approve of the relationship—Rutherford is constantly in the news because of his bad behavior, and Chapel’s father believes that Blade will follow suit.
After his father embarrasses him at his high school graduation, Blade shuts his family out. He wants to run away with Chapel and never look back; however, in the midst of his anger, Blade receives some shocking news—he is adopted. Will he be able to locate his birth mother? Why did his family keep this secret? Will his relationship with Chapel last? Will he be able to forgive Rutherford?
Like The Crossover, Solo is written entirely in verse, but Alexander experiments with other non-traditional forms. Some sections of the novel are handwritten song lyrics, some are explanations and meditations on famous rock n roll songs, some are text messages. The unique formatting drew me in immediately. The surprises and climatic moments in the text also felt genuine, which makes it a difficult book to put down.
Perhaps verse doesn’t lend itself to a great deal of characterization, but I felt many of the female characters came across flat. Chapel, especially, is the typical high school heartbreaker.
Although Solo is lengthy, it would be a valuable text to pull selections from or read it its entirety. While it is an excellent way to introduce poetry, Solo is also poignant in its contrast of extreme wealth and extreme poverty. This could certainly lead to important—and life changing—class discussions.